Suzuki Sawa MICLODEATH strikes back? send flowers to bangalore
MICLODIET at Geometrik vol.1 Geometrik is a festival cooperation for electronic music with technoid rhythm based in Tokyo. Presented by JANDEATH (shotahirama) and MICLO DIET. One of the most innovative and risky artists of the Japanese electronic music and industrial music field. And this Geometrik festival has a strong focus on minimal scientific sequence of technoise-music. For precise sound placement, complex, technoid, interwoven rhythm structures and its minimal flowing approach. 07.10. Fri 2009 "Geometrik vol.1" OPEN 20:00 CLOSE 23:00 1000YEN Artists: Go Koyashiki, MICLO DIET, JANDEATH (shotahirama), enormous O'clock, Ducerey Ada Nexino Venue: SOUP Tokyo, JPN. □) .soundispatch/maps/soup.jpg" .soundispatch/maps/soup.jpg Curator: JANDEATH (shotahirama) + MICLO DIET □) .shotahirama" .shotahirama □) .myspace/miclodiet" .myspace/miclodiet For more info go to shotahirama's blog. □) shotahirama.blogspot/2009/06/geometrik-vol1-presented-by-jandeath.html" shotahirama.blogspot/2009/06/geometrik-vol1-presented... About: Englisht text- This announce will be the 1st edition of Geometrik. Artists are, Go Koyashiki, released out his new album from Japanese experimental label mAtter (presented by yukitomo hamasaki), is a Musician/Film Composer. With the background of having learned Berklee method and music history, Koyoshiki composes strings ensemble and chamber music. After having played in a few bands with various genres as a guitarist, Koyashiki started to shift his music creation to computer-based as his musical taste leaned towards electronica, ambient music, experimental music and sound arts. Today Koyashiki composes using programming languages to create sound materials based on sine wave digital sound processing and edited/processed field recordings. And Koyashiki explores the scarcity of microscopic tones and sub-tonal bass, manipulating these extreme highs and lows of sound to build a framework often recognizable from techno music. MICLO DIET is an electronic music act based in Tokyo. Melding dense and chaotic textures with complex beats, Miclo Diet aka Yasunobu Suzuki has created a diverse sound palette that ranges from eminently danceable rhythms to glitch-ridden madness. His minimal, electronoise-influenced techno music helped establish the sound of the SOUP community, also located in Tokyo. Heralding the use of the laptop as a DIY production tool and live performance instrument, the musicians gathered around SOUP were seminal in defining a new genre of electronic music, defying conventions of both dancefloor oriented techno and the academic field of digital noise music. JANDEATH is a second name of Japanese-American Sound Artist, shotahirama. Who runs Edition NIkO (NIkO Label) and ENG (electronoise group). Produced sounds of vaguely danceable noise and power-electronics noise using complex rhythm, driving percussion, and meticulous sequencing. His main influences are from the early 1980s, with industrial acts like Throbbing Gristle, Einstürzende Neubauten and also from mille plateaux artists like SND, Alva noto, Pan sonic. JANDEATH also made extensive use of a variety of computer based sequencers, softsynths, and other applications as a means of controlling those synths and processing the synthesized sounds, using Reaktor, Processing and Elektron. Work with an organizing member of the Shinjuku-based Soup collective, MICLODIET in 2008, project was named MICLODEATH. enormous O'clock, Born in 1977 in Kyoto, Katsunori Sawa (real name) has held an interest in European music since childhood and while many producers often cite a wide variety of influences, it's quicker to name the genres that EOC doesn't feel have shaped him as his near endless list ranges from jazz and classical to electro and techno via noise, mambo and folk. Ducerey Ada Nexino is also known as Yuji Kondo. Yuji Kondo is a sound artist and composer from Japan.In late 2005, he started his solo project, and currently based in the Kansai region. He makes compositions using computer programs, and restructure the sounds such as snow noise, sine wave, stylus tip noise, tape hiss, impulse click, field recording sources, acoustic percussion instruments, random tuning electric bass guitar tones, and voices in unconventional ways. Generated materials are fed back by the matrix-switch system on DAW software. The grand feedback soundscape woven by frequency operation is as beautiful as the fog, subtle and profound. His sound is a unique blend of electronic sounds and acoustic instruments, and the minimal and the complexities coexist there. the electronics function just as any other instruments. Japanese text- Geometrikはイタリアの未来派詩人F. T. マリネッティのエッセイ『幾何学的および機械的かがやきと数的感受性』を由来に結成されたスペインのテクノイズユニット、Esplendor Geometricoから引用されたものである。その名の通りこのイベントは幾何学的、構造主義的な電子音響により形成されるノイズと、単調な反復を排した複雑系リズムを実現する電子音響家を中心に運営される。 イベントディレクターは、JANDEATHの名義にてZbigniew Karkowskiやchristophe charles、Toshiji Mikawa (Incapacitants、非常階段)、Tetsuo Furudate、ASTRO (Hiroshi Hasegawa)、Pain Jerk、Justice Yeldhamなど数多くのノイズアーティストとライブ活動を行うshotahirama。またそのshotahiramaが最も尊敬し敬愛してやまないMICLO DIETも共同オーガナイザーとしてこのGeometrikをサポートする。MICLO DIETもまた東京の電子音響シーンを支えるSOUPコレクティブの一員として活動するテクノイズアーティストであり、これまでにも多くの新進気鋭の電子音響家と共演を果たしている。そんな2人がオーガナイズするGeometrikが来る7月10日の金曜日、SOUPにてvol.1と題し、遂に開催される。 出演者は以下のメンバーである。Yukitomo Hamasakiを中心にサウンドデザイン・建築・プロダクトデザインなど、様々なメディアにアプローチするサウンド&デザインレーベル、mAtterよりリリースされた、複雑性がナーバスに見え隠れする名盤slitが高い評判を呼んだサウンドアーティストGo Koyashikiが登場。音響合成処理によりプロダクトデザインされる電子ノイズは最小単位のまま音楽へとアップデートされ最新の状態でフロアへ吐き出される、そのシステムはテクノ(ロジー)ミュージックを運動させるには充分すぎるほどのものである。 また、京都からはモダンエレクトロニックミュージックをジャズやテクノ、ヒップホップなど独自のリズムサイエンスで稀有なサウンドとアンビエンスを生み出すことに成功した名盤、INFORMATION WARFARE (AI RecordsよりLPが発売中)が記憶に新しい電子音楽家、enormous O'clock。さらには大阪からYuji KondoがDucerey Ada Nexino名義にてセルビアのテクノレーベルGenesaより発売される新作を中心にしたライブセットで、微細構造的に配置されたグリッチと共に新たなミニマルミュージックを構築していく。 もちろんオーガナイザーであるJANDEATHことshotahirama、そしてMICLO DIETもliveを披露する。JANDEATHは産業主義を連想させる金属音や破壊音的電子音響に、2台のElektronを扱い現代音楽のシンボルであるリズムをクリックならぬポイントに置き換え、複雑なシーケンスに溶け込ませたPointilism Musicを提案する。また自身が開発したプログラムソフト、R systemにてそのリズムストラクチャーが持つミニマリズムをそのまま具象化、映像化する。MICLO DIETはそのアルゴリズムとポリリズミックな不確定性と幾何学的な音響を持ったノイズを、正確な音のプレースメントで組まれる抽象的なデジタルシーケンスによって描かれる宇宙船にも似た壮大なリズムストラクチャーとを、異常ともとれるその音質の良さで、攻撃的なダンスミュージックを披露する。必ず彼らは最新のテクノイズシーンへと我々を先導してくれるだろう。 Go Koyashiki □) .myspace/koyashiki" .myspace/koyashiki Go Koyashiki, from Japanese experimental label mAtter (presented by yukitomo hamasaki), is a Musician/Film Composer. With the background of having learned Berklee method and music history, Koyoshiki composes strings ensemble and chamber music. After having played in a few bands with various genres as a guitarist, Koyashiki started to shift his music creation to computer-based as his musical taste leaned towards electronica, ambient music, experimental music and sound arts. Today Koyashiki composes using programming languages to create sound materials based on sine wave digital sound processing and edited/processed field recordings. And Koyashiki explores the scarcity of microscopic tones and sub-tonal bass, manipulating these extreme highs and lows of sound to build a framework often recognizable from techno music. Go Koyashiki: 音楽家/映画音楽家。バークリーメソッド、音楽史を学び、弦楽や室内楽の作曲も手がける。ギタリストとして多くのバンド活動を経験後、音楽製作をコンピュータにシフトすると同時に、エレクトロニカ、アンビエント、実験音楽、サウンドアートといったジャンルに傾倒していく。プログラミング言語を駆使した、サインウェーブによる音響合成処理による音素材と、フィールド・レコーディングの音素材を加工/編集したものを主に作曲に使用している。舞台や映画の音楽制作にも携わっており、数多くの舞台/映画作品に楽曲を提供する。 MICLO DIET □) .myspace/miclodiet" .myspace/miclodiet MICLO DIET is an electronic music act based in Tokyo. Melding dense and chaotic textures with complex beats, Miclo Diet aka Yasunobu Suzuki has created a diverse sound palette that ranges from eminently danceable rhythms to glitch-ridden madness. His minimal, electronoise-influenced techno music helped establish the sound of the SOUP community, also located in Tokyo. Heralding the use of the laptop as a DIY production tool and live performance instrument, the musicians gathered around SOUP were seminal in defining a new genre of electronic music, defying conventions of both dancefloor oriented techno and the academic field of digital noise music. MICLO DIET: 新宿区の深部・落合を拠点に日毎様々な人々と音楽が交錯する地下空間「soup」主宰。テクノ/ノイズ中間管理職。国内外様々なジャンルのアーティストとの共演を経て、現在アルバム製作中風。2006 年より落合で表現とコミュニケーションの実践として「soup」 を運営。音/映像/アートを媒介に、ジャンルや国の内外を問わない数々の場を提供し続けている。 JANDEATH (shotahirama) □) .shotahirama/" .shotahirama/ JANDEATH is a second name of Japanese-American Sound Artist, shotahirama. Who runs Edition NIkO (NIkO Label) and ENG (electronoise group). Produced sounds of vaguely danceable noise and power-electronics noise using complex rhythm, driving percussion, and meticulous sequencing. His main influences are from the early 1980s, with industrial acts like Throbbing Gristle, Einstürzende Neubauten and also from mille plateaux artists like SND, Alva noto, Pan sonic. JANDEATH also made extensive use of a variety of computer based sequencers, softsynths, and other applications as a means of controlling those synths and processing the synthesized sounds, using Reaktor, Processing and Elektron. Work with an organizing member of the Shinjuku-based Soup collective, MICLODIET in 2008, project was named MICLODEATH. JANDEATH: ダダイズムの既成の秩序や常識に対する、否定、攻撃、破壊といった思想やバウハウスに見られる合理主義的・機能主義的な芸術に強く興味を持ち、電子機材を用いたノイズコンクレート、持続音響な作品制作、またその演出、表現への応用可能性、方法を探っている電子音響家、shotahirama(平間翔太。1984年アメリカ、ニューヨーク生まれ)。そのshotahirama単独のソロ活動となるJANDEATH。ポーランドのハーシュノイズアーティスト、zbigniew karkowski (mego)や、MERZBOWと共に日本のジャパノイズシーンを牽引するToshiji Mikawa (incapacitants)、ASTRO (Hiroshi Hasegawa)、Adachi Tomomi (Tzadik)、Pain Jerkなどの数々のノイジシャンとのライブを行う。産業主義を連想させる金属音や破壊音的電子音響に、2台のElektronを扱い現代音楽のシンボルであるリズムをクリックならぬポイントに置き換え、複雑なシーケンスに溶け込ませたPointilism Musicを提案する。また自身が開発したプログラムソフト、R systemにてそのリズムストラクチャーが持つミニマリズムをそのまま具象化、映像化するライブもJANDEATHではおなじみの光景である。同じ年、兼ねてから共演を熱望していた東京の最新デジタルクリエーションコレクティブ、SOUPのメインアクト、MICLO DIETとのデュエットとなるMICLODEATHも実現。 enormous O'clock □) .myspace/enormousoclock" .myspace/enormousoclock enormous O'clock, Born in 1977 in Kyoto, Katsunori Sawa (real name) has held an interest in European music since childhood and while many producers often cite a wide variety of influences, it's quicker to name the genres that EOC doesn't feel have shaped him as his near endless list ranges from jazz and classical to electro and techno via noise, mambo and folk. enormous O'clock: WIRE、BBC RADIO 1等EUラジオ番組のオンエアーにより海外から注目を浴びる。2008年、モダンエレクトロニックミュージックをジャズやテクノ、ヒップホップなど独自のリズムサイエンスで稀有なサウンドとアンビエンスを生み出すことに成功した名盤、INFORMATION WARFARE (AI Records)が記憶に新しい京都在住の電子音楽家。今年は既にイギリスから3枚のバイナルリリースが決定している。 Ducerey Ada Nexino □) .myspace/ducereyadanexino" .myspace/ducereyadanexino Ducerey Ada Nexino is also known as Yuji Kondo. Yuji Kondo is a sound artist and composer from Japan.In late 2005, he started his solo project, and currently based in the Kansai region. He makes compositions using computer programs, and restructure the sounds such as snow noise, sine wave, stylus tip noise, tape hiss, impulse click, field recording sources, acoustic percussion instruments, random tuning electric bass guitar tones, and voices in unconventional ways. Generated materials are fed back by the matrix-switch system on DAW software. The grand feedback soundscape woven by frequency operation is as beautiful as the fog, subtle and profound. His sound is a unique blend of electronic sounds and acoustic instruments, and the minimal and the complexities coexist there. the electronics function just as any other instruments. Ducerey Ada Nexino: 音声における圧縮本来の役割を逆手にとり、型破りの方法で幾度となく構築されるその音群は原形を留めておらず、もはや意味での微細構造的に配置された膨大な情報が引き起こすエラーともいえる無数のアクセントから創出されるグルーヴとして、完全フロア対応型と化す。2009年にはセルビアから当名義1作目となるEPが全世界へ向けてリリースされるほか、複数のリミックス・ワークやコンピレーションへの楽曲提供等、数々のリリースが決定している。 For more info go to shotahirama's blog. □) shotahirama.blogspot/2009/06/geometrik-vol1-presented-by-jandeath.html" shotahirama.blogspot/2009/06/geometrik-vol1-presented... shotahirama dot com □) .shotahirama" .shotahirama One of the most innovative and risky artists of the Japanese electronic music and industrial music field. And this Geometrik festival has a strong focus on minimal scientific sequence of technoise-music. For precise sound placement, complex, technoid, interwoven rhythm structures and its minimal flowing approach.
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